第7届华语音乐传媒大赏将在颁奖礼前一周提前揭晓最佳摇滚艺人、最佳电子艺人、新音乐三项大奖结果，兹定于2007年06月23晚21：30，在191Space（地址：广州市广州大道中191号）举行颁奖仪式暨演出，表演嘉宾包括左小祖咒、DEAD J、顶楼马戏团。

"WHAT'S THE MODERN? REVOLUTION? MODEL?" 2006

 

Planned and Published: Wu Ershan

Planned: Dead J  Feng Jiangzhou

Mastering: Dead J

 

The "Modern Cultural Revolution Plays" are classic works of the Great Proletarian Cultural Revolution era.  Looking only from the musical perspective, they combine China's traditional opera and performance technique with classical Western music to tell the story of China's proletarian revolution. It’s a splendid practice with full imagination and creative.Our intention in creating this album was to use electronic actuator to once again rouse up the creative spirit in Chinese music. --- Wu Ershan

 

As a member of my generation, the Modern Cultural Revolution Plays remain basically foreign to me.  But in a quite long time，The model play has become the only artistic which the Chinese can accept，it has entrusted with extremely strong political color。This remix of the Modern Cultural Revolution Plays resulted in a very experimental product without the use of 'experimental' forms of music, but rather by using very powerful electronic hardcore  music.  I think the remixes actually go beyond hardcore dance  to an even more fierce extreme.  The tracks are all filled with strength and anxiety.   The mix of the Modern Cultural Revolution Plays and extreme electronic/techno roar out at you.  Even if you don't jack up the volume, Also can feel their blood tensity！--- Shao Yanpeng

 

Revolution is direct.  The Modern Cultural Revolution Plays are the same.  They symbolize an era like the Punk movement did for Rock 'n' Roll . Has the complete concept and the wonderful pattern，Directly is all，opens Thoroughly and don’t ambages。The plays  sets a new precedent by taking something independent of the West and mixing it with western aspects, mixing the traditional with the modern, and mixing the East with the West.   There is no trace of imitation or the simple pairing of opposite tradition, rather the album (or the plays?) is deeply based in Chinese tradition and educated by Western modernity. The plays gathers together the creative energy of the entire Chinese nation honing it into on crystal clear voice.   Of course there is also individual ideals.All of this has passed and become history, settled like sediment, and passed down through generations to become a special memory, and a traditional part with proud.  --- Feng Jiangzhou